A cheery email announcing Latitude Festival‘s first line-up has just come a-pinging into my inbox. Here we go! Here’s the line-up. Let’s have a look at it and have vivid flashbacks to festivals we may or may not have drowned at in the past:
Whoah. Something weird’s going on here. Where’s the – where are the – ladies? Women? Women of pop and comedy, hello. I’m calling to you. Latitude, I can’t find the – oh no, wait.
I’VE FOUND HER. She is one half of alt-pop duo Beach House.
Back in the day, the day being 2006, I ran a festival website for Emap. Latitude was launched that year, and it was a complete blast, with a fantastic varied line-up and a line in food you actually wanted to eat. What a shame. What the f, Latitude? Have you seriously only managed to pin down a single one of the world’s myriad musical and comedic ladies to flag up in your first line-up announcement, and even then as part of a duo?
Mais non. The Guardian tells us that Yeah Yeahs Yeahs, Jessie Ware, Cat Power, Laura Mvula and a load of other women I am no longer current enough to know about are also playing.
Well bugger that. I’ve had a lovely week of women, as it happens.
Tonight I’m going to troll around the Country Living Spring Fair with my entrepreneur friend Jessica. I really don’t have more to say on that as I haven’t been yet, but I haven’t seen Jess in weeks and am very, very excited about that.
This is however a great excuse for a quick tangential reminisce over an amazing picture from my 30th – Jess is Peach, her fiancé is Luigi (wrong way round!), our friends are Daisy and Mario, I’m Yoshi, and that is my Tetris piece brother on the far right who flew in from Singapore for three days just so he could come to mine and dad’s birthdays. Dude!
Large-footed women (and business women)!
Last night, I went to the launch of the 9/10 club at Opium, for women with large feet who would actually quite like to wear nice shoes. It was run by the design-your-own-shoes site Upper Street, which in turn is ran by two amazing sisters.
There were loads of women in one place, all gossiping, eating, trying on shoes, swapping war stories of shitty shop assistants and the world basically hoping they’d all shut up and go away so they could carry on not catering for them.
Elizabeth and I kept on freaking out slightly by the unusual sensation of lots of women sharing our eyeline rather than being several inches below it. It was great fun – especially when they started bringing out cocktails in caged coconuts which appeared to be on fire.
Writing women! (who also have impressive jobs)!
And then I went to Polpo, also with friend and Write Club buddy Elizabeth, where we drank lots of prosecco, ate various delicious things in near-darkness and slurred our way through a long list of fantastic female children’s authors and Books That Made Us Who We Are before wobbling off in the direction of the Tube. Brilliant.
Utterly bloody funny women!
And on Monday, shortly after leaving a tablet and a box full of cheesecake on the 63 bus (FML), I went to Birthday Girls‘ comedy night at the Wilmington Arms, run by former members of the all-female, apparently all-conquering comedy troupe Lady Garden. And bugger me if there weren’t loads of people there being funny, quite a lot of whom happened to be female.
I fell a little bit in love with Mae Martin, a Canadian ex-pat who did a fantastic stand-up set. You will love her too. She also does animation, which she didn’t show off on Monday thankfully or I might have had to invade the stage and cry on her.
There was Lou Sanders (lady) and Joe Lycett (man), who weren’t my cup of tea but got plenty of laughs from the audience, and two not-women, Max and Ivan, who I absolutely adored. And then Birthday Girls of course, who were great hosts and had some lovely new sketches.
I haven’t seen any musical women this week which rather prevents this blog from ending on a powerful note of strong meaning
This is because I missed my choir rehearsal to go to the 9/10 launch and see Elizabeth. But there is a clip of another lovely Elizabeth singing solo in our new version of Heartbeats by The Knife, which is brilliant – and I’m trilling the high bits at the end, so let’s pretend that neatly wraps up my annoyance at Latitude not giving the ladies in its bill more due prominence.